In the run up to the premiere of HOPE LIGHT AND NOWHERE, I was truly honoured to be asked by The Guardian to become a subject of their regular Arts Head feature – a series of interviews with some of the movers and shakers in the creative industries reflecting on their careers and what they think are the major issues facing the arts community today. http://www.theguardian.com/culture-professionals-network/culture-professionals-blog/2013/jul/23/suba-das-curve-theatre-leicester
I’m thrilled (well that’s an understatement right there) to be able to reveal that this summer I’ll be directing the world premiere of HOPE LIGHT AND NOWHERE, the second play by Andrew Sheridan. Andrew won the Bruntwood Prize for his first play, Winterlong, produced by the Royal Exchange and Soho Theatre in 2011.
The show has won the Ideastap Underbelly Award, and opens as a flagship production at the Underbelly as part of the Edinburgh Festival Fringe. In the words of none other than Simon Stephens, it’s a ‘savage poem of a play… [by]… the most exciting new writer to appear in British Theatre in the past five years’.
It’s an honour to be trusted with a truly incredible play, and I’ve pulled together a damn exciting creative team comprising my recent Young Vic collaborator Jean Chan, who will join us in rehearsals after she completes her first show for Complicite, Lionboy (Bristol Old Vic and touring, co-designed with Jon Bausor); composer Patrick Gleeson (composer for last year’s Edinburgh smash hit A Clockwork Orange); and lighting designer Richard Howell, winner of this year’s Lighting Design Off West End Award.
More details are at www.hopelightnowhere.co.uk. Hope to see you in Edinburgh….
A piece I was asked to write for The Independent on The Revenger’s Tragedy.
I’m really quite proud of this piece I was asked to write for The Independent on my latest production, The Revenger’s Tragedy: I think it’s probably the clearest I’ve ever managed to articulate why I do what I do. Hope you enjoy reading it.
An interview with the UK’s leading website for young artists reflecting on my career to date.
http://www.ideastap.com/ideasmag/the-knowledge/if-only-id-known-suba-das
An interview focussing on the outreach programme structured around The Revenger’s Tragedy
http://hackneycitizen.co.uk/2012/10/10/the-revengers-tragedy-suba-das-hoxton-hall/